Photoshop Professor Notes – Adobe Camera Raw and Bridge by John Warren

Udemy course Photoshop Professor Notes – Adobe Camera Raw and Bridge by John Warren

Photoshop Professor Notes – Adobe Camera Raw and Bridge is the best Udemy course on the market. With this offer they will be able to greatly improve their knowledge and become more competitive within the Design category. Therefore, if you are looking to improve your Design skills we recommend that you download Photoshop Professor Notes – Adobe Camera Raw and Bridge udemy course.

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Course data:

  • Author: John Warren
  • Course rating: 4.3
  • Category: Design
  • Modality: Online
  • Status: Available
  • Idiom: English

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Photoshop Professor Notes - Adobe Camera Raw and Bridge

What the udemy Photoshop Professor Notes – Adobe Camera Raw and Bridge course teaches?

What you’ll learn By the end of this course you will be able to efficiently process and edit your RAW images in an efficient manner. This course explains why you should want to be shooting in the Raw file format as opposed to the JPEG file format.

A-Z guide to creating amazing images using Photoshop’s Adobe Camera RAW and Adobe Bridge, the industry’s preferred softw

More information about the course Photoshop Professor Notes – Adobe Camera Raw and Bridge

Photoshop Professor Notes – Adobe Camera Raw & Bridge Understanding the Raw Workflow … Section 1 Lecture 1: Adobe Camera Raw: A Brief Overview Understanding what Camera Raw is or what a Raw file is and why it is different from a JPEG file important to know especially since you have spent all that money on a camera that is capable of shooting in that file format. A JPEG file is processed in side the camera at the moment you take the picture and because this file format is a compression format, you loose some of the quality right away. Shooting in the Raw format maintains all of the image quality but requires that you process the images on your computer. One of the major benefits of shooting Raw is that you can re-process that file again and again, differently each time without ever changing or destroying the original Raw file. Another benefit is if you shoot a traditional bride & groom and for some reason you over expose the bride’s dress, in JPEG that dress is blown out and the detail can never be retrieved but in Raw, we can recover up to 2 full f-stops of over exposure revealing the previously post details in the bride’s dress. Lecture 2: Understanding the difference Between 8-bit Images and 16-Bit Images Our cameras capture Raw files in either 12 or 14-bit and Photoshop can process these images in 16-bit mode which allows us to work with much more detail than just 8-bit mode. What does that mean to you? Well, the over exposure scenario presented in the previous lecture is one example and another is that you can shoot in dimly lit places and actually end up with a decent looking image. The dim photo can be brought back to life (lightened up significantly) in the same manner as the over exposed file can be recovered. This means that you can shoot in hockey arenas and school gyms and get much much better results than ever before. Lecture 3: The Camera Raw Interface The Camera Raw interface can be somewhat daunting at first look but understanding what all those buttons and sliders are for and the proper order to use them in can and will take any fear out of using it. Not all sliders are needed for all images and once you figure out which sliders you need, you’ll be in and out in no time. Lecture 4: Adobe Camera Raw: The Camera Calibration Tab This should be one of the first tabs rather than one of the last tabs … In my humble opinion, the choices made here effect every other choice you make regarding adjusting your images and probably should be the first tab or maybe even in the Workflow Options dialog box. Lecture 5: Adobe Camera Raw: Explaining the Differences Between Process version 2012, 2010 & 2003 In this lecture I show you how far we’ve come in processing digital images. What this means to is that in a few years from now when newer versions of the software are on the market, you can revisit some of your favorite images and because the software is better, you’ll be able to process the image(s) with better results. It just keeps getting better and better every time or at least we hope. Lecture 6: Adobe Camera Raw: Setting Your White Balance Okay, let’s get into this White Balance stuff. By default, the very first time you open your image in Adobe Camera Raw, the White Balance option in the drop down is always set to “As Shot”. Which means whatever your camera was set to. If you happen to have set the incorrect White Balance setting, this is where we can change this. Lecture 7: Adobe Camera Raw: The Basics – Part 1 of 2 If you happen to have set the incorrect exposure in your camera when out shooting we can fix that here in the Basics Tab as long as the mistake was not too terribly off. In this first portion of the Basics Tab we can also adjust contrast as well. Lecture 8: Adobe Camera Raw: The Basics – Part 2 of 2 In this second section of the Basics Tab we have the opportunity to adjust the colour by play with the Vibrance and Saturation of your image so if you think your image is lacking in eye popping c…

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